The Metropolitan Opera has announced that baritone Michael Chioldi will be taking on the lead role in Verdi's "Rigoletto." Chioldi will take over for Quinn Kelsey who debuted the new production by Bartlett Sher on New Year's Eve. Luiz Gazzola Opera Lively. 2021-2022 Season. For the Met: Mia Bongiovanni is supervising producer and Louisa Briccetti and Victoria Warivonchik are producers. When the Page arrives, he recovered his strength, his voice growing metallic and accented, almost speaking some of the notes. NYT Critic's Pick. But her experience as an operatic conductor was in full evidence, shading the orchestra and stretching the tempo like a true master. Rigoletto is the ninth opera Bartlett Sher has directed at the Met. Cast: Joseph Paur,Frank Gerrish,Ivey Lloyd . Directors love Wagner's operas, which infuse the suggestive sketchiness of parables into clearly conceived plots and characters. The Met: Live in HD - Rigoletto 2022 2,164 views Jan 14, 2022 16 Dislike Share Save Trafalgar Releasing 12.8K subscribers Tony Award-winning director Bartlett Shercreates a bold new take on. Soprano Nadine Sierra stars as the self-sacrificing courtesan Violettaone of opera's ultimate heroinesin Michael Mayer's vibrant production of Verdi's beloved tragedy. He punctuated the duet with an incredibly potent low F that he sustained while walking off stage all the way through the coda of the passage. For more information, visit metopera.org. His Cortigiani is utterly overwhelming, the emotional anchor of the entire work. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. 2022-23 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles Synopses Keep up with all the latest news, arts and culture, and TV highlights from KPBS. Mezzo-soprano Isabel Leonard hosts. That didnt last long as he took on a harder and more aggressive edge with S vendetta, exploding with a sound at the climax of this passage. Grinnell College will stream "Rigoletto" on Jan. 29 as part of the Met's 2021-22 Live in HD season. But then the turntable starts to move. And while Feola also delivered well on the higher lines throughout the Vendetta duet, the quartet, and trio (a tough task for all three singers as mentioned), the final duet was another moment of sublime singing from the soprano.Lass in ciel was delivered with the utmost delicacy of sound, each note angelic in its purity. Verdi: Rigoletto (2022) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Gary Halvorson Writing Credits (in alphabetical order) Cast Camera and Electrical Department Kevin Murphy . Audience. Throughout the night it seemed that Scappucci was operating on extremes in terms of tempi. Varduhi Abrahamyan makes her Met debut as Maddalena, and Andrea Mastroni is Sparafucile. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, the Neubauer Family Foundation. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. Speranza Scappucci conducts Bartlett Sher's production. They met in 1979 in Rabe's home town of Vancouver, married five years . Croatian bass Ante Jerkunica makes his Met debut as Sparafucile this season. The customary dark leather jacket that is a staple of the Sher operatic universe is here (its really something that the Duke of Mantua, Romeo, Count Almaviva, and Otello, all get to wear the same-looking coat at some point in their respective operas; perhaps theres some thematic connection there?) Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. But most of the night, and especially in these fast sections, the weight in the lower strings was completely inaudible (please note that I was in the orchestra section and that might have had something to do with that experience). His singing had rawness and pointedness, particularly as he poked fun at Ceprano and Monterone. The famous Act III quartet, Bella figlia dellamore, is an ingenious musical analysis of the diverging reactions of the four principals in the same moment: The Dukes music rises with urgency and impatience, Gildas droops with disappointment, Rigolettos remains measured and paternal, while the promiscuous Maddalena is literally all over the place. Kelsey reprises the title role opposite Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke of Mantua. GREAT PERFORMANCES AT THE MET: Rigoletto Preview, "Cortigiani, vil razza dannata" from "Rigoletto", Piotr Beczaa Performs "La donna mobile". Home Performances Rigoletto. She is currently a studio artist at Moscows Bolshoi Theatre, which she joined after singing at the Galina Vishnevskaya Theatre Studio. Digital support of The Met: Live in HD is provided by Bloomberg Philanthropies. You could feel the fear, the shame, the pain, and in one brief moment, the anger of what had happened to her. 3 hr 10 minNR Jan 29, 2022 Opera Cast & Crew Piotr BeczalaActor Quinn KelseyActor Rosa FeolaActor Ludovic TezierActor Stephen CostelloActor Daniele RustioniActor That said, this is a step up from the Las Vegas episode. On first listen, Feolas voice is not what has become the typical Gilda voice a light coloratura voice with extreme highs. New York, NY (December 23, 2021)The Metropolitan Opera rings in the new year with a new production of Verdis Rigoletto on December 31, with an additional eight performances January 4January 29, 2022. They felt detached from transitions into them, when they existed (like in Cortigiani). Then theres some bizarre choices like the sudden abstraction during the Act three trio where the lights go red inside the inn and Gilda has a seeming out of body experience? The Metropolitan Opera has looked to its deep bench of replacement singers to survive the Omicron surge, including the baritone Michael Chioldi, who has jumped into the title role of Verdi's. In Act three, the tenor took things up a notch, delivering a spotless rendition of La Donna mobile, each note of the dotted rhythm clear and articulated with vibrant sound. With Varduhi Abrahamyan, Piotr Beczala, Rosa Feola, Quinn Kelsey. But when Gilda falls in love with the man her father loathes, Rigoletto's thirst for vengeance and desperate attempt to stop fate bring about his own tragic . Quinn Kelsey and Rosa Feola lead a superb cast in Bartlett Sher's new staging of Verdi's classic drama. His most-recent work on Broadway includes Tootsie, Kiss Me Kate, and My Fair Lady. During his time at Fordham, he studied abroad at the Jagiellonian University in Poland. There was an aggressive nature to his opening scene, almost as if his Rigoletto were always on the defensive in this predatory world. She is originally from Las Vegas and attended UNLV. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. His recent Verdi roles elsewhere include Miller in Luisa Miller at Lyric Opera of Chicago, Ford in Falstaff at the Dallas Opera, and Rigoletto in Zurich. Varduhi Abrahamyan plays Maddalena and Andrea Mastroni plays Sparafucile. This was most noticeable during her opening duet with the high B flat triplet sixteenth notes (non pi, vi calmate) and especially during the repeat of Ah, veglia, donna, queto fiore where her vocal line accompanies the baritone melody with leaps up and down the register; in this latter section, the ascents to the high Cs sounded timid and overly careful, lacking in clarity or brightness. In January 2020, she performed recitals at New York Citys Park Avenue Armory and the Kennedy Center. With his big shoulders, big jaw, and his great, shiny Half Dome of a head, Kelsey gives Rigoletto immense presence even before he opens his mouth. American tenor Stephen Costello reprises his portrayal of the Duke of Mantua, a role he previously performed in 2015 at the Met. Ella mi fu rapita is the tenors big moment, not only vocally, but also dramatically, allowing for a moment of potential contrast and depth. The rest of her range is solid and she navigates the registers fluidly, though there were moments where the shifts into the higher range were not quite as polished and she sounded a bit stretched. The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. Soprano Tamara Wilson portrays the virtuous duchess Elsa, falsely . Other aspects work better, including the dark alley scene between Rigoletto and Sparafucile, which also makes an argument for the less is more principle. Rigoletto (Verdi) The Abduction from the Seraglio (Mozart) The Merry Wives of Windsor (Nicolai) La bohme (Puccini) 1993-1994 Season. Her body was full of fear and confusion as she ran about the turning table, women racing after her to undress her. Miei signori, perdono, pietate! featured some of the most captivating legato singing from the baritone on the evening, his voice practically weeping with every phrase, Rigolettos heart on his sleeve; the final Pietas during the cadenza, descending from the high F, were diminuendoed with such intensity so to depict heart-wrenching desperation and final one crescendoed and portamentoed into the high D flat with similar intensity. Our privacy policy was last updated on Friday 31 January 2020, Benjamin Bernheim (Duke), Quinn Kelsey (Rigoletto) and chorus, Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda), John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena), I've never heard a Gilda so convincingly sound like she is at death's door, Reviewed at Lincoln Center: Metropolitan Opera House, New York City on 10 November 2022. Nov 17, 2022 Metropolitan Opera 2022-23 Review: Rigoletto Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos By David Salazar (Credit: Curtis Brown) In a recent interview with OperaWire, composer Lori Laitman noted that Verdi's " Rigoletto " was among her favorite operas. During the quartet, Bella figlia dellamore, Bernheim delivered another display of glorious legato singing. We are doing maintenance on the website until approximately 1 am ET Friday, February 10. Production a gift of C. Graham Berwind, III Director, Spring Point Partners, LLC; Gramma Fisher Foundation, Marshalltown, Iowa; and Mr. and Mrs. Paul Montrone. Other notable roles include Ramfis in Aida in Verona and Zurich, Giorgio Germont in La Traviata at La Scala, Colline in La Bohme in Venice, and Sarastro in Die Zauberflte at the Hamburg State Opera. Later this season, he will sing Wotan in Wagner's Das Rheingold at English National Opera, King Marke in Act III of Wagner's Tristan und Isolde in concert with the Deutsches Symphonie-Orchester Berlin, and Hunding in Wagner's Die Walkre in Naples. In the Mets production, the action unfolds in Weimar Germany in the 1920s, a time and place with surprising parallels to the decadentand dangerousworld of the original setting. Though her voice is not especially large it carries nicely, especially her plummy chest voice. But when he realized the Duke was still alive, his body contorted, and his sound suddenly dimmed as he wondered what had happened. 23 des. For more information, visit metopera.org. It provided a seamless transition into the Piangi, with Kelsey crescendoing from the C natural into the ensuing D flat. Abbonamento a partire da 12,50/mese Cast: Quinn Kelsey - Rigoletto Rosa Feola - Gilda Piotr Beczala - Duke of Mantua Craig Colclough - Monterone Varduhi Abrahamyan - Maddalena Andrea Mastroni - Sparafucile Scott Sully - Borsa. The Met: Live in HD is supported by Rolex. One of the things that is so incredible about Rigoletto within Verdis oeuvre is its pacing. Giuseppe Verdi's ever-popular masterpiece returns for a performance starring Lisette Oropesa, Aigul Akhmetshina, Stephen Costello, and Luca Salsi in . The Royal Opera Season will open with a new production of Verdi's Rigoletto, directed by Oliver Mears, which will be his first production since becoming The Royal Opera's Director of Opera in 2017.The new production will receive its premiere in September 2021, with Music Director Antonio Pappano conducting. From there his voice grew even more tender, each ensuing phrase a caress as he reached out toward his hurting daughter. January 18, 2022. Perhaps Feolas standout moment came in the ensuing act during Tutte le feste al tempio. The recitative that preceded the duet proper, Ciel! He also holds a dual bachelors from Hofstra University in Film Production and Journalism. That was quickly contrasted in the ensuing scene as he roamed about the streets, delivering a hushed and pained Quel vecchio maledivami! The defensiveness of the opening scene continued throughout the conversation with Sparafucile, Kelsey initially reserved but slowly opened up his sound as he inquired about Sparafuciles methods. Her vocal approach to the role was perfectly aligned to her characterization. Kevin Puts'. Far more traditional in tone than Michael Mayer's groovy 2013 Las Vegas Rat Pack Rigoletto, this staging . At the climactic La Maledizione he interpolated a high G flat and A flat, both delivered ferociously to end the night. During the trio, he erupted with the firepower that hed displayed in Don Carlo, his voice booming over the orchestral torrent, his phrasing precise and pointed. in the middle of his career. However, it included some glaring strange elements that were impossible to ignore. At the close of the duet, his piano singing blended with Feolas almost as one with the cadenza, as noted, spot on through the several runs. 2022 | 20:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States fr. His phrasing of il sol dellanima featured a polished legato line, each phrase building from the previous one before blossoming into a sublime high B flat on per te that then melted into an equally impassioned diminuendo on the ensuing dinvidia agli uomini sar per te. The return of this vocal ascent was somehow even more potent than the previous one with the diminuendo even stronger, a sign of the vocal flexibility that Bernheim displayed throughout. For up-to-date casting go back to the previous page. She has conducted Verdi's Rigoletto at the Hamburg State Opera, Theater Freiburg, and Malm Opera. Roger Hodgman, 53, is director of the Melbourne Theatre Company. The Vienna State Opera's production of Rigoletto did its job, proving an appropriately grim staging for a very dark opera. duna tal vittoria, che? Compounding Bernheims performance during this scene was how much fun he seemed to be having, not only flirting with Akhmetshina, but even caressing a cross on the wall, a childish smile on his face. Then there were tempo shifts that seemed to come out of nowhere, breaking the flow of the momentum and jerking you out of the action; moreover, they often felt out of control and unstable, rushing forward initially and then calming down. He is a resident director of Lincoln Center Theater, where his productions have included My Fair Lady, Oslo, The King and I, and Women on the Verge of a Nervous Breakdown. Continues through Jan. 29 with this cast and conductor at the Metropolitan Opera, Manhattan; metopera.org. Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos. Pretty but Pointless. Between 2014 and 2020, he was music director of the Orchestra della Toscana, where he is currently artistic director. Bartlett Sher's Weimar-inspired production premiered less than a year ago, and is eminently revivable. In the context of the opera, the merely lovely music becomes inspired drama. Jen is a web producer at KPBS, responsible for program promotion, online membership-related activities, and is the editor of the KPBS community calendar. In adapting it, Verdi and Piave fought with the Italian censors and eventually settled on moving the story to the non-royal Renaissance court of Mantua, while holding firm on the core issues of the drama. Mozart's Idomeneo. Its virtually been in and out of the stage throughout the years, but I stopped attending it over the past few years (I hadnt seen the opera at the Met since before the launch of OperaWire in late 2016). 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States ti. Rigolettos role (which was never quite clear in Las Vegas) is at least back to status quo of Piaves libretto, even if this is yet another transposition. Companies. For more than 50 years, PBS has been the media destination for the arts, presenting dance, theater, opera, visual arts and concerts to Americans in every corner of the country. Jen has worked at KPBS since 2000. Rigoletto Levine; Eda-Pierre, Jones, Pavarotti, Quilico, Berberian Watch Now Standard Definition Video VerdiNov 7, 1977 Rigoletto Levine; Cotrubas, Jones, Domingo, MacNeil, Daz Watch Now Buy Tickets Rigolettois only available with a Met Opera on Demand subscription or rental. 133 subscribers The 2022 Metropolitan Opera production of Giuseppi Verdi's Rigoletto was incredible to watch. The singers, who were all on their A-game, often sounded a bit uncomfortable. David Frost is music producer and Peter Gelb is executive producer. There were other moments, where the textures simply didnt cohere. The Tony Award-winning creative team, including director Bartlett Sher, set designer Michael Yeargan, costume designer Catherine Zuber, and lighting designer Donald Holder, sets the classic tragedy in 1920s Europe, featuring Art Deco sets and elegant costumes. Quickly contrasted in the latest versions of Chrome, Firefox, and rigoletto met opera 2022 cast Opera vecchio maledivami, Frank,... 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